Saturday, 16 September 2017
Thursday, 14 September 2017
Tuesday, 12 September 2017
Thursday, 7 September 2017
Monday, 4 September 2017
Dido, Queen of Carthage I enjoyed, and now he and Lazarus Theatre return to Christopher Marlowe for a heavily edited and adapted version of Edward II. Luke Ward-Wilkinson plays the titular king, who in the opening scene learns of his father’s death and his own accession to the throne, and responds by immediately recalling his banished lover Gaveston (Bradley Frith,) much to the displeasure of his nobles. Whether Gaveston is at court or in exile, he’s a constant distraction to the king, and with conflict at home and abroad his attention is needed for the safety of England. At least that’s their story: Beneath the rhetoric the rebellion led by Mortimer (Jamie O’Neill) looks more like an opportunistic grab at power from a weak and distracted king.
Sunday, 3 September 2017
Away From Home, about a gay footballer in a secret relationship, and now he takes on solo writing duties while sharing the acting with Ryan Clayton in a story where the relationship is still secret, but the sport’s much more up-front about its aggressive side. In Gypsy Queen Clayton plays Dane “The Pain” Samson, a promising boxer, openly gay in his father’s gym where he trains, and where everyone pretty much accepts this; but wary about his sexuality being known more generally, and worried that one sports reporter in particular keeps sniffing around it. Ward is “Gorgeous” George O’Connell, from an Irish traveller background, who bare-knuckle boxes in pub car parks until Dane’s father talent-spots him and invites him to turn professional.
Thursday, 31 August 2017
Wheel! Of! Misfortune!
royally shat the bed at the National a few months ago, she was lucky to have her next London gig already lined up, or I don’t think we’d have seen her here again for some time. In any case I saw her production of Knives in Hens at the Donmar as giving her a last chance before deciding if I just don’t see what others apparently see in her, and putting her on the same shelf as Samuel Beckett. David Harrower’s play is set in a non-specifically pre-industrial North of England, a place dominated by work and a combination of austere religion and superstition. Judith Roddy plays an unnamed Young Woman (significantly, only one person in the play gets to know her name,) married to ploughman Pony William (Christian Cooke,) so called because he may or may not fuck his plough-horses.
Friday, 25 August 2017
Thursday, 24 August 2017
What The Butler Saw, he does to black comedy in Loot: Deconstruct the genre by taking it to its logical extreme, so we get jokes about rape and child prostitutes, and the naked corpse of an old woman being unceremoniously dragged around the stage. But despite being the first UK staging to restore Orton’s original text with all the censored stuff back in place, what Michael Fentiman’s 50th anniversary production ends up most memorable for is the sharpness of the dialogue. McLeavy’s (Ian Redford) wife died three days ago, and her body is laid out for the last time in their house. Last night his son Hal (Sam Frenchum) robbed a bank with his best friend/boyfriend Dennis (Calvin Demba,) and the loot is stored in a cupboard. Then Inspector Truscott (Christopher Fulford) arrives, demanding to search the house.
Tuesday, 22 August 2017
Now or Later has made me look forward to Christopher Shinn’s work, but so far none of his other plays have lived up to that one for me. His latest premieres at the Almeida in a production by Ian Rickson, and tries to deal with huge issues of faith and the human capacity for violence, as a self-made billionaire believes he’s been given a message from god to go out into the world and solve America’s violence problem. Ben Whishaw is no stranger to playing messianic figures so he’s a natural match to Against’s protagonist Luke, a tech and aerospace giant who leaves behind all his companies when he claims to have been given a divine message to “go where the violence is.” He interprets this vague missive as meaning he should travel to the scenes of violent crimes and stay there long after the press have moved on to the next story, collecting feelings and reactions from the survivors and compiling their stories on a website.
Thursday, 17 August 2017
Mosquitoes gets a bit of a break as another show uses its in-the-round set to tell a different kind of story – although there’s still buzzing insects involved, as The Majority’s design (by Jemima Robinson) features a lot of bees and honeycomb motifs. It’s the latest play by Rob Drummond, aka that bloke I shot that time, who keeps an audience participation element but spreads it out equally this time: The last few years have been marked by hugely impactful votes on binary, not always well-defined choices, and this is the structure The Majority is based around. As with the recent Terror, every audience member is given a keypad which will record their vote on a number of yes/no questions posed by Drummond. Most of them will serve to give an idea of the audience’s moral position but a couple will affect where his story goes and how it’s told.
Tuesday, 15 August 2017
Thursday, 10 August 2017
Twilight Song, in Finsbury Park, over in Islington the King’s Head revives his 1982 debut, Coming Clean; and taken together they do make it look like My Night With Reg was, if not a fluke, at least an outlier. American writer and lecturer Greg (Jason Nwoga) and lazy wannabe writer Tony (Lee Knight) have been together for five years and are happy together if a bit set in their ways. These ways do include a bit of extramarital action, though – we’re in the pre-AIDS era here and they’ve got an agreement that they can sleep with other people as long as it’s confined to one-night stands. This gets complicated when they hire an unemployed actor, Robert (Tom Lambert) as a house cleaner, and Greg’s apparent impatience with him conceals an attraction.
Tuesday, 8 August 2017
the woman who woke Peter Hall up from his nap that time, although she’s got a bit better at the acting since then. Following The Pride a couple of years ago, Jamie Lloyd revives another Alexi Kaye Campbell play at Trafalgar 1, with Stockard Channing taking on the role of esteemed art historian and 1960s political activist Kristin in Apologia. The setup is the well-worn dinner-party-from-hell format, as Kristin hosts family and friends to celebrate both her birthday, and the publication of her latest book, also titled Apologia. This one’s marketed as a memoir of her life, which makes the fact that it doesn’t even mention the existence of her two sons (both played by Joseph Millson) an omission which seems to distill their relationship.
Sunday, 6 August 2017
Thursday, 3 August 2017
a Meat Loaf jukebox musical at the ENO seemed like the summer’s most eccentric bit of programming, how about a Bob Dylan jukebox musical at the Old Vic? Conor McPherson writes and directs Girl from the North Country, which I hadn’t initially planned to see but some very interesting casting convinced me otherwise. Cast mostly with actors-who-can-sing rather than predominantly musical theatre actors, I already knew the likes of Sheila Atim, Bronagh Gallagher, Jack Shalloo, Debbie Kurup, Michael Shaeffer and Karl Queensborough could sing, but there’s also a number of pleasant surprises in a show that, music aside, I didn’t quite know what to make of. Set in Depression-era Duluth, the story centres on a guest house run by Nick Laine (Ciarán Hinds,) whose wife Elizabeth (Shirley Henderson) has early-onset dementia, and whose main relief from the financial and personal pressures he faces is an affair with one of his guests, Mrs Neilsen (Kurup.)
Wednesday, 2 August 2017
Streetcar Named Desire with another of the most famous Tennessee Williams plays, Cat on a Hot Tin Roof. We’re still in a sweltering part of the American South (Tennessee itself, this time,) but unlike most Williams characters nobody here is strapped for cash: Big Daddy (Colm Meaney) owns the largest plantation in the state, and his whole family have gathered to celebrate his 65th birthday. What most of the family knows but he doesn’t is that this is his last birthday: The tests he was told came back negative actually revealed he has terminal cancer and very little time left. We see the action from the perspective of alcoholic younger son Brick (Jack O’Connell) and his wife Maggie (Sienna Miller.)
Monday, 31 July 2017
Friday's one-off performance at the Old Vic, Max Webster joins Mark Gatiss on directing duties for the concluding four monologues from BBC4's Queers series. Once again the stories take us through the decades before and after the decriminalisation of homosexuality, beginning during the Blitz with Keith Jarrett's The Safest Spot in Town. Kadiff Kirwan plays a dapper West Indian who immigrated to London a few years earlier, finding a more insidious, two-faced form of racism than he'd expected. The arrival of German bombers has created, for a while at least, a more inclusive atmosphere as everyone's up against a common enemy. But, in what is probably the slightest of the eight short plays, he finds it hard to forget being turned away from the places that now want his custom, and goes cottaging instead - a life-changing decision.